Was Dolly Parton ever in a relationship with Porter Wagoner? | Yahoo Answers
It has been never said if she ever had a relationship other than professional with Porter Wagoner.. but the song " I will always love you" has. When Porter Wagoner first hired Dolly Parton as his newest female vocalist, both of their lives changed forever. The blonde bombshell was just years-old at. And while Tammy had all her operations because she was ill, Dolly "I felt that everybody loved me, and to this day I have a love relationship with my fans. manages the distribution of books, and helps find sponsors in local areas. nor confirming stories about affairs with country star Porter Wagoner.
One of her aides whispers in her ear. We're in London now. I've been reading about how some people don't want me to go there, so I'm glad I'm in London now! She explains how Rotherham became the first UK town to benefit from the literacy programme. This was the first time I had ever been stalked over a kids' programme, so I just want you to meet somebody who loves kids just as much as I do, and who is the real reason why we are here - Mr ROGER The whole thing, with its surreal mix of country music and local politics, is beginning to remind me of Robert Altman's film, Nashville - only, this time, Nashville remade by Britain's Shane Meadows.
Nashville has played a crucial part in Parton's life. She moved to the city, a four-hour drive from her home in Locust Ridge, when she graduated from school at I figured I'd always find a way to eat, and if you can find a way to eat, then you can survive.
They have been married for 41 years. He's an elusive man. There are rumours that he doesn't even exist. Has he ever been seen in public? I write my cheques as Dolly Dean. If I make reservations at restaurants, I always do so as Mrs Dean. Parton admits it's a sadness in her life, "though I always say I didn't have children so everybody's kids can be mine". There have been countless rumours about their marriage, and Parton seems to love stoking up the gossip - neither denying nor confirming stories about affairs with country star Porter Wagoner and leading men Burt Reynolds and Sylvester Stallone, and often using them for punchlines.
We were both attracted to him. Is that quote accurate? She yelps louder than ever, but there's as much warning as humour in her laugh this time. I had said as a joke that I fantasised about Keith Urban, but I didn't say it about the women. She was 21 when he hired her to sing on his television show.
She was sexy, funny and sang with a crystalline purity. They competed with each other for the highest pompadour, the kitschest outfits and the best songs. And when they sang together, they did so beautifully - the innocent certainties of her voice harmonising brilliantly with his sleepy-dog sadness. InParton decided it was time to go her own way and develop her career as a singer-songwriter and movie star. She said that they split because of creative differences - "I was creative and Porter was different.
Parton went on to have 25 number one hit singles in the country charts and a record 42 top 10 albums. She has won seven Grammies and has been nominated for a Grammy all of 44 times and sold more than million records. Meanwhile, the Dollybus is heading north from London. She is due to present the first Imagination book to the first-born baby at the local hospital at 10am, and I'm determined to get there before her.
Half an hour before I am due in, I ring her team. They are still on the motorway. On my way in, I see Parton, in her most buttoned-up, book-lady outfit, not a hint of cleavage, barely a rhinestone in sight, walking out.
She's ahead of schedule. She's always ahead of bloody schedule. By her side is Judy Ogle, who always travels with her. Dolly and Judy have been friends since they were seven.
Judy applies the finishing touches with tenderness - a dab of lipstick here, a puff of powder there. Of course, there have been rumours about this relationship, too. In her autobiography, Parton said that for years when they toured they slept in the same bed. It's great to have somebody that you can be totally yourself with. One thing we've had to overcome is the constant rumour that Judy and I are lesbian lovers. Parton is teaching the council leader star quality and how to handle a mic. This time, she's sure she's in Rotherham, and is even respecting the silent H.
Stone is a big, bluff northerner of the John Prescott variety, and very proud of his home town. It's a Shangri-La to me. How fantastic, absolutely unbelievable, that the founder came all the way to launch the Imagination Library. Dolly is an absolute fantastic lady.
She has what I call the wow factor, and over the past few days I've had the privilege of seeing it first-hand. She talks about her illiterate father, and how the ability to read opened the world to her. Local councillors, workers and dignitaries have been invited to a special lunch to welcome her. As they eat, she plays a gorgeous version of Coat Of Many Colours. But not everybody is won over. Over the decades, Parton has written and copyrighted more than 3, songs - she was big on rights from day one.
Shortly before Elvis Presley died, he asked to record I Will Always Love You, but his manager, Colonel Tom Parker, told her she would have to hand over half of the publishing royalties. Parton invites the audience to ask questions. The best thing he said is, 'Will you marry me?
I'm still breathing, I can still flirt. I know I'm not dumb, and I sure am no blonde. Every year Parton reopens her adventure park with a parade through town.
Pigeon Forge is less than 10 miles from where she grew up. It's early spring, the redbuds and dogwoods are blossoming. This is the heart of bible-belt America.
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In the distance, the Smoky Mountains rise up and disappear like a mirage. It's four months since Parton was in Rotherham, and the annual opening of Dollywood has been delayed because she has been ill. A recent headline in the National Enquirer screamed "Dolly - My boobs are killing me. It embraces all the values of the American South - patriotism, Christianity and 3lb portions of apple pie - but much more, too.
Here, black and white families mix easily, gay days are celebrated with suitable abandon Parton knows her audience, after all and most weeks are International Week. She is about to introduce a new ride - the River Battle, which involves guns, squirting and high-spirited soakings. She floats into view on board a raft wearing sunglasses and a magnificent red raincoat, and reminds us how much it costs to look this cheap. Actually, she hates the water. Tomorrow, Parton will plant a commemorative rose and play a tribute concert.
It's early evening, time for the annual parade through Pigeon Forge. The town comes to a standstill as military floats and religious floats, vintage cars and wacko-cars form an orderly procession. Everybody here seems to know Parton, and most have something good to say about their local girl.
Not surprising, really - with Dollywood, the giant water park Splash Country and her Dixie Stampede restaurant chain, she is by far the biggest employer in the area - 3, are on the payroll, around of them family. There is a cheer as a black limo passes by. Through her wound-down window, Parton waves to the crowd. Dollywood prides itself on having something for everybody.
Porter Wagoner and Dolly Parton | gtfd.info
As well as the great wooden rollercoaster, Thunderhead, there's the theatre, the museum, the chapel, the bald eagle sanctuary, the glass-blowing factory and shops, shops, shops. Whenever you change direction, you hear Dolly tunes. In the museum you can even play at being Dolly on a computer that allows you to try on different wigs. There is a picture of Dolly at school aged seven - even back then she stands out, a mini Marilyn Monroe.
In the far corner, looking rather studious, is her friend, Judy. Upstairs, there are pictures of Parton in her early 20s with a handsome, devilishly cool young man. I can't believe it. Carl Dean, the invisible man, the husband.
He looks neither shy nor retiring. Next afternoon, Parton looks supermodel-tall on stage, despite being a diddy five foot nothing. Her surgically enhanced features, which can look alarming close up, seem just right from a distance.
She is wearing a garish yellow suit decorated in wagon wheels and roses - a tribute to Wagoner - and somehow makes it look hip. As she talks about Wagoner and introduces his family, she is on the verge of tears. Rather than ditzy Dolly, this is Parton the stateswoman. When we first met, I asked how she kept her voice in such good nick.
If Parton was ever going to blush, it was then. Today, she is singing with the same vigour and purity that she had 40 years ago. It would be handy if we could create our own versions of the artists we most adore -- take the "Sun Sessions"-era Elvis and skip the fat one, for example. But the artists we love best almost always confound us.
She's a genuine rhinestone diamond. Dolly's mother, Avie Lee Parton, married at 15 and had given birth to 12 children one child, Larry, died as an infant by the age of 35; Dolly was the fourth. Dolly's father, Robert, struggled to support the ever-growing family. In that sense, Dolly Parton's story is a textbook case of a young woman yearning for fame and riches as a way of escaping, and helping her family to escape, extreme poverty.
Parton has been candid about her fondness for wigs, flashy clothes and all kinds of artifice: As she notes in her highly entertaining if sometimes maddeningly New-Agey autobiography, "Dolly: But Parton's childhood poverty informs much of her adult work, not so much because all of her songs are about being poor most of them are notbut because she seems to be possessed of a certain brand of compassion that often comes from having to do without.
Part of her sensibility, of course, comes from the type of music she grew up with: Parton developed a love, and a knack, for songs that told stories: Songs that spoke of dutiful restraint between potential lovers "Chas," off the superb and, unfortunately, out-of-print LP "The Fairest of Them All"of man-stealing temptresses "Jolene"of women who are weary from making mistakes in love but always willing to try again "The Bargain Store" and of forbidden love that lasts till the grave "Silver Dagger".
Her songs, even many of the blatantly pop-country ones, are pure Appalachia in spirit, retooled for the late 20th century; they often have a haunting quality that's just a few quiet footsteps away from the ancient tales of girls dying on the moor with their babes in their arms or dead lovers who haunt the living.
As a girl, Parton had always loved singing, and with the help and encouragement of her uncle, Bill Owens, she landed a spot on a Knoxville, Tenn. She made her first appearance at the Grand Ole Opry at Immediately after graduating from high school, inshe moved to Nashville, intent on becoming a country star; within her first few days there, she met her husband, Carl Dean, a shy fellow who to this day prefers to stay out of the spotlight that seems to hover almost perpetually over his wife.
In the mid-'60s Parton cut several singles for Monument Records, among them her first Top country hit, "Dumb Blonde," a sly sendup of her own evolving persona. Years later, she'd quip, "I'm not offended by all the dumb blond jokes because I know I'm not dumb, and I also know that I'm not blond.
She was invited to join Porter Wagoner's already-successful television show, and the records she cut between that year andboth alone and with Wagoner, helped establish her as a true country-and-western star. Parton's work with Wagoner was hugely popular with audiences, but after the fact, listening to their recordings together you can find a representative sampling on RCA's "The Essential Porter Wagoner and Dolly Parton"you can hear how Parton stays well within the margins of the material.
Wagoner's voice, while pleasant enough, had limitations; Parton's seemed as if it was aching to soar. Infeeling constrained by her professional partnership with Wagoner, she left his show, and the breakup was bitter.
Several years later, Wagoner sued Parton over certain contractual obligations, making the rift between the two even deeper. In her book and elsewhere, Parton has freely admitted that she wrote her hit "I Will Always Love You" as an elegy for her broken relationship with Wagoner, a relationship that was always platonic, but at times stormily passionate.
Parton has always been amusingly wry about the rumors of her romantic liaison with Wagoner. When Tammy Wynette, who'd also sung with Wagoner, fretted that Wagoner might claim he'd slept with her, as he had about most of his other singing partners, Parton quipped, "Don't worry, Tammy, half of the people will think he's lying and the other half will just think we had bad taste.
The earlier part of the '70s was undoubtedly the golden age of her own songwriting, the era of "Coat of Many Colors," "Jolene" and countless others. But she had her sights set on being more than a country star: Her great ambition was to crack the pop Top 40, to make hits that would be embraced by more than just her loyal country audience.
Parton takes credit some of us would prefer to call it blame for laying the groundwork for the country boom of the s, a period when country suddenly chomped down on a huge segment of the pop-music market.
But she's also acutely aware of how that boom ultimately hurt her. The country-music machine of the past decade -- and the country recording industry has been nothing if not a machine, cranking out "stars" whose prefab country is mostly an insult to the genre -- had little use for "old-timers" like Parton.
She and her peers among them luminaries like George Jones, Johnny Cash and Merle Haggard, the latter two of whom found respect in their later careers only in the rock recording world were shut out of country radio in favor of singers who were allegedly more modern. She seemed to be distancing herself not so much from country music itself as from the monster it had become, and who could blame her? But Parton has never complained about her mainstream success.
Actually, she's milked it. Parton's sweet, sexy demeanor not to mention her boldness in showing off her bodaciously rounded figure shouldn't fool anyone into thinking she's anything but an intense and incredibly smart businesswoman. Her Tennessee theme park, Dollywood, is a popular tourist attraction.
And although her movies, with the exception of the "9 to 5," haven't been huge hits, you can't blame her for trying to translate her particular brand of sparkle to the big screen.
She's a charmer, and her speaking voice alone is gently musical. But there's also a no-nonsense crispness about her particularly in a scene where she goes to the trunk of a car to get a crowbar and calmly assesses the dead body that's stashed there. That seems to be a real-life trait, a characteristic that helps her get things done, rather than just hanging around dreaming about them. But Parton's career as a star does have one major drawback: It may have drained too much attention and perhaps some of her own energy from Dolly Parton the singer.
A friend of mine at the time, one of the truest country fans I've ever known, casually mentioned what a great singer she was.
He also noted her skill as a guitarist, which seemed doubly unbelievable to me, given those devilish fingernails. I resisted even further -- until I heard "Coat of Many Colors," Parton's autobiographical song about the ridicule she experienced as a young schoolgirl when she wore the patchwork coat her mother had lovingly made for her.
You might hear "Coat of Many Colors" and call it a tearjerker. I call it a heartbreaker, a song that has the power to change you, subtly, forever, maybe not so much for the subject matter as for the way Parton sings it. The song's lyrics are simply written, a straightforward narrative: