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Doublings and mediations In the first scene of the film, the protagonist-a young man named Frederic Jean-Lou Phillippe -flirts with two women who in turn flirt with each other at a party thrown by the manufacturer of a new perfume line. He is distracted when he sees an ad for the perfume. The advertisement contains a photograph of a ruined castle.
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This photograph occasions a flashback that is both pleasing and troublesome. The doubling at work in this scene is sophisticated.
There is the interaction between Frederic and the girl in the castle tower to which I shall return momentarily. This parallels the interaction between the two women at the party. Young Frederic has slightly longish hair and a soft, vaguely feminine look, while the woman in white, dressed in lace, sports a short, more typically masculine haircut.
Their two faces look alike.Me trying to flirt in the car 😂😻
Their hair is similarly styled, straight and with bangs. They both have reddish, soft-looking lips and eyes that, at least in the shot, appear to be some mild shade of blue or green. After the conclusion of this scene, the young woman remains mute for the rest of the film until Frederic frees her from her coffin.
This is a structure that will be repeated throughout the film. On the surface, the doublings create a sense of structure, of exchange and of likeness, whereas the various mediations create a sense of mystery and obscurity. The mediations create distance between subject and object. Not only does the protagonist have trouble making sense of the image he sees, the woman in white misperceives him as well.
- Alice Walker
- after leslie walked in headcanon
In the tower, the woman in white comforts the boy and raises for the first time the topic of vampires. She is there to protect him from the dead. He leaves a toy with her, a mechanical device in which a child stands before a tree.
This Edenic toy later becomes a sign she uses to authenticate herself, to prove she is indeed what he remembers and that the game is coming to an end. From that point on, it is Frederic who must distort his intentions in order to protect his idealised love from the more pernicious vampirism of the mundane world. This world, as symbolised in the crass commercialism and superficial relations found in the opening party scene, is parasitic. Consider that the enigmatic photograph is contained within a rather plain poster advertising a new line of perfume.
The rational worldview thus attempts to constrain the irrational, to render it one more mechanism in a post-industrial economy, be it of gender relations or commercial products. Irrationality is the realm not only of the living dead and the various symbols of the fantastic, but of romantic love relations as well.
Its containment threatens Frederic with the loss of his youthful idealism, and so he rebels against the forces of rationality.
Explicitly Oedipal, she stands between him and the woman and proclaims that her wine glass is empty. Once again, Frederic has been thwarted in his search for a love interest. After his mother leaves, Frederic begins to explain his fascination with the photograph to one of the women. She attempts some light sexual contact with him and he becomes annoyed. He is more interested in figuring out the mystery of the picture: This is a complex play of desire and regulation. The resulting imaginative play between law and desire and the resolution of this tension is the film in a nutshell.
Along the way, he evades various forms of corrupt institutional control. As the film proceeds, the fluctuations in the relationship between subject and object produce not only longing, but repulsion and outright paranoia as well. A woman in outlandish make-up presents herself to Frederic as the lost object of his dreams.
He is immediately suspicious. Another agent in this shadow organisation wears a government-style black trench coat and carries the gun of a professional detective or murderer. Later, Frederic is captured by men in white coats, guards at an asylum, who are secretly called to the scene by his mother.
The human obstacles in his quest are generally professionals and represent specialised, adult, social, rationalised roles: Even the girls at the party in the first scene represent a cynical form of romantic relationship based solely on physical desire and material achievement- this type of romantic engagement is antithetic to the ideal relationship Frederic seeks. Throughout the film, his mother denies the actual existence of the lost girl. It will later turn out that she is lying to him to protect a secret, the history of vampirism in the town.
At the point where he is most aware that people are out to get him and are trying to keep him in the dark about the underground aspects of life in the village, he is committed against his will to an institution. The psychiatrist in charge turns out to be in collusion with this shadow organisation as well. The adolescent view of the law itself is in many ways fractured, external and paranoid.
U also not here…. Can u take urgent leave? U have lots of leave to clear ya? Lets do it… Me: And so, I began to feel excited and notti. Maybe its not going to be a boring day after all. And So I told my boss I have some urgent family matters to attend to and needed to go off. So, I drove to the arranged carpark and texted him that im reaching.
I was there in another 10mins and I could feel tingling sensation between my legs. Plus, I told my hubby that I cant meet him for lunch today. When I reached the top level, I saw his car and he was standing outside smoking.
There was no one at the level and we were the only ones. I parked next to his car and got out. He smiled at me and said he was very glad I could make it and was happy to see me. He passed me a cigi and we smoked together, making some small talk. He kept looking at me, checking me out from top to bottom.
He said I looked great and sexy. Said my heels were sexy and wonder what am I wearing underneath…. Then making sure no one was around, I turned around and pulled up my skirt, showing him my sexy gstring… He: Then he opened the back seat door and led me inside… I just followed him. I can sense he was hungry and eager to get his hands on my body. Once inside, he closed the door behind him and he started to kiss me.
Mmmmmmm… I have to say I missed that. My heart was racing and feeling excited now. His hands reached under my blouse and made its way up to my boobs.
He then slipped his hands under my bra and started to caress my breast… making slow circular motions, teasing my nipples. I missed this feeling of being touched by another man… I love to have my boobs played with and his touch felt so good. I was making soft moaning sounds… and he took it as approval to do more… We were kissing and our tongues exploring each other… I closed my eyes to enjoy this secret moment. My hands also reached for him… his body was still in good shape and he also just shaved his head….
He teased me by running his fingers around my thighs, around my pussy, down my legs before stopping at my pussy… he then slowly slipped his hands inside my gstring. I was waiting for his hands to feel my already wet pussy. I just sat there, enjoying it. He slipped 2 fingers into me and started to finger fuck me…. I reached for his cock and stroked him as well… We carried on petting for a couple of minutes. Teasing each other, stroking, rubbing, fingering. I was soaking wet by now… and I admit, I need to fuck.
Just then, several cars came up to the parking lot… we had to stop. We composed ourselves and make sure no one noticed what we were doing. I looked at him, kinda disappointed look. Lets get out of here.
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You took urgent leave right? I will bring you back later. Leave your car here. And he drove off. I was still sitting behind. As he drove he kept glancing behind the rear view mirror. I saw him looking at me, and I return my caressing my own boob and rubbing myself.
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Its those budget hotels. Its been a long time since I went to a budget hotel. Used to go there for my afternoon flings long ago. He asked me to wait in the car while he went to get a room. While he was gone, I checked my text msg. Yes, I hope I my appetite will make me full later ;- Mr C came back to the car and let me out.
He held my hands as if we were a couple and we took the lift straight to the room. I was feeling scared and excited at the same time.
We quickly went into the room… and I just stood there. Now, I was feeling shy. He works out, so his arms were strong and manly. As he tossed me onto the bed and he was on top of me. I thought to myself, since we are here, just let go of myself and let loose.
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He began to undress me. He was like man on fire. I was laying there in my bra and panties… then I too helped him out of his shirt, then I took off his pants to reveal his boxers. We started kissing again, and feeling each other bodies.
This time, I would just moan out. He kissed all over my body. We are not restricted by space anymore. We have the whole bed to ourselves. I could feel that me missed me. I stood up over him and made him lay down.