Going to Meet the Man (short story) - Wikipedia
The men and women in these eight short fictions grasp this truth on an has left in both its victims and its perpetrators--Going to Meet the Man is a major work by . In “Going to Meet the Man,” the reader is presented with one of the most horrific, gut wrenching torture and murder scenes in literary history. Get an answer for 'In "Going to Meet the Man," what is the effect of organizing the story into a different time structure?' and find homework help for other Going to.
Going to Meet the Man (short story)
Living death or the people who were born the right time and place who don't have to. I think these lucky people trick others into thinking the other kind, like them, don't exist.Short Story Analysis "Going to Meet the Man" By: Debrawn M Wagner
It is my favorite when it is back then, again, and a the? It is my favorite kind of mirror giving. What they have gone through, what there is to go through. The child hopes they will always be there to talk like this. And maybe there's a kid in someone's lap, and maybe a hand to stroke his forehead. In 'The Man Child' it happens just like that.
The child pretends to be asleep and he hopes without belief that it will go on with the comforting mother's hand. I'm not sure about 'The Man Child'.
A little boy eight years old is investigating his land. His always been there is the color, when there was a time he could remember a not always been there suspicious shapes.
His mother didn't always look dead inside. There had been a little sister who died. There had been a time when another baby was on the way and it might be okay again. His father, an old man at thirty-two and his always been there friend, Jamie, who is thirty-four.
The kid returns to this thirty-fourth birthday party a lot. Dad and Jamie were always getting drunk and Jamie always had that dog of his. There had been a moment when he had looked into Jamie's old eyes, bloated with age or premature drink age. He was kicking his constant companion and the Dad is nailing him to the ground with I have won and you have lost.
The kid doesn't see it this way but if I had been there that was what I would see. I guess it is like kids in my middle school class who changed who they "sided" with during various history courses. Whomever was "closest" to them every time.
So the dad wins this fight. Jamie lost his farm to his friend. They had been in the war together, war buddies and drinking buddies. That's supposed to mean something in superficial terms but doesn't here, thankfully.
Going to Meet the Man by James Baldwin
I don't know what made him lay into him that day, smugness about his wife pregnant when Jamie lost his wife and never had a kid? There is something that bugs the shit out of me about James Baldwin, though. This women are things to lose, or things to protect. Jamie couldn't "keep" a woman. A man in another story feels protecting a wife is his right.
It was like that in Giovanni's Room, too. The female lover was an obstacle, an expectation demanding and taking. I wish I could see the mother in 'The Man Child' without a husband or kids dead or alive. It is narratively said that she didn't know when he captured her. I still don't think it is true that you have to be without a human relationship to be unchained.
I have this idea that Baldwin at least kind of thought they did. The boy Johnnie in 'The Rockpile' and 'The Outing' is ensnared in those I'm in love headlights that obliterate everything else.
He waits for his friend, his lover David. His mother married the father of his siblings, a tyrant in the name of religion. Private pain ruins everything in his path. People seem to know everything when they demonstrate being saved. The young men pit sexual awakening to the tirade of the path.
David is moving away to where Johnnie will likely wait for him forever.
Another lover, the girl Sylvia. Her worldly be good gnats watch her. I can imagine her wanting David to feel sexy time excitement, but beseeching his "better nature" to please the "be good" pulpits of their community when they succeed in wearing her down. I know it works that way but I don't know that it has to be that way. I didn't like 'The Man Child' as much as the other stories because the violence of Jamie to the son of his smug friend with so much for now wasn't inevitable.
I think Baldwin is better than the little kid who thinks people in their thirties are old. Child blindness doesn't have to work that way, can hit other than the general. What Jamie does to take away, when he drunkenly cries that he loves his friend I don't know about this one. The kid was following his father's footsteps. He showed him his land. The kid's dying words are to Jamie that he will give him his land.
One of Jamie's crimes was wandering the forests alone. I wonder what he looked like by himself. Better than the kid looking into his eyes, what would he see if he looked into is own eyes. The kid was doing this himself, this forest wandering.
He wasn't thinking about it like looking into his own eyes but the thoughtless version of it was there, in moving away from what memory says had always been there. Without anything to connect to Jamie's old look other than his own now death it didn't mean much to me. I like it less connected to the story 'Going to Meet the Man'. The racist sheriff will take his son to a Ku Klux Klan meeting. They will tenderize their vicious traditions over the bloody corpse. I know it happens that this shit is passed down to progeny who share the dull thinking of well, I've been lucky to be born what I am in this time and place so I must deserve it.
Over and over, Jesse sent intense jolts of electricity through the young man until he had passed out from shock. As the encounter with the young man went into an interlude, Jesse began to tremble as an intense and peculiar joy washed over him. Something deep from within his memory was resurfacing, but the overall detail of the scene eluded him. Baldwin uses this particular encounter to show the utter elation that a person can experience when an event occurs that is strangely related to a past pleasurable experience.
Upon first encountering the grotesque depiction of the scene, the reader is completely overwhelmed by a feeling of intense disgust. While finding beauty on the surface of this story might be a difficult task, the reader can certainly appreciate the lengths to which Baldwin went in order to show how any person in any situation can become the victim of twisted family values and societal expectations.
This story is a stretch into the fantastic as Baldwin exaggerated the particular scene within the story. It is likely that he combined many elements of particularly gruesome, unlawful attacks on black people during the civil rights era and the period of history prior to this.
However, this hyperbolic writing is most certainly effective as the experience of the reader goes beyond mere words on a page. The reader actually sees what a young Jesse saw and feels what Jesse felt on that fateful day that forever changed his life and perception. Jesse had not always been the bigot that he was standing in the cell with that broken and bleeding black man. There was a time when Jesse was just a boy and the other boys his age, regardless of color, were just boys.
His name was Otis. Here, Baldwin highlights the simple fact that Otis and Jesse were friends. Regardless of race, creed, or religion, they were just boys who liked to play together. However, in the very next line, the reader begins to see the first signs of the transformation of young Jesse. There was something afoot. Jesse did not quite understand the details of what was happening, but he was sharp enough to understand that an event had happened that had somehow driven the racist wedge deeper, further dividing the perilous crevice between black and white.
Jesse also knew something was about to happen. A rash action was about to take place in the light this new development within the atmosphere of the racial strife that permeated the air of the town in which Jesse lived and he knew it. In his innocence, Jesse questioned his father regarding the recent scarcity of his friend. He did not know why he said this.
His voice, in the darkness of the car, sounded small and accusing. But he was only concerned about this morning. Upon waking the next day, Jesse is confronted by a group of people in his front yard dressed as if they were about to head to Sunday service. Are we going on a picnic? It is evident from the story and the historical period in which the story takes place that Jesse had grown up in an extremely racist society.
It can be assumed that he experienced elements of racism and prejudice on a daily basis from the attitude that his father expresses toward the black race as a whole throughout the story. Startlingly, however, Jesse is presented in the light of childish innocence prior to the event at the Harkness. Jesse was just another boy, understanding the basic expectation that society held him to as a member of the white race, but eschewing this expectation for childish games and camaraderie with anyone regardless of race, religion, or any other divisive factor.
Jesse just wanted to play and enjoy life. His carefree world was about to change forever. The car ride seemed to stretch on and on. The car finally stopped. Jesse stepped out of the vehicle to see a mob standing before a spectacle that had them cheering and had raised the level of excitement to an almost tangible level. The tingle in the air was almost too much for Jesse to bear. The first aspect that Jesse noticed about the scene unfolding in front of him was the gleaming chain.
Baldwin now uses extremely strong language to describe both the scene unfolding before young Jesse and the personal awareness of a boy about to be forever changed by one animalistic act against another human being by a bigoted mob. The most intriguing aspect of this scene is not the inhuman act carried out against the captured man. While the crime committed against the man is certainly the most disturbing aspect of this scene, the act itself is not the point.